Gueranger, O.S.B., Prosper (2021). The Liturgical Year. Vol.6: Passiontide and Holy Week: Preserving Christian Publications. p.375. {{ cite book}}: CS1 maint: location ( link) a b "Ancient Manuscript Suggests Jesus Asked Judas to Betray Him". Fox News. New York City: News Corp. Associated Press. 6 April 2006. Archived from the original on 21 May 2013. Dimont, Max I. (1962). Jews, God & History (2ed.). New York City: New American Library. p. 135. ISBN 978-0451146946. However, Vatican II was a pastoral rather than dogmatic council, and Christopher J. Malloy (assistant professor of theology at the Constantin College of Liberal Arts at University of Dallas) states that Ludwig Ott's reference book Fundamentals of Catholic Dogma should be regarded, "... as being current on the infallible teachings of the Church taught by the extraordinary Magisterium." [99] That reference book identifies Judas Iscariot as an example of a person receiving punishment as a particular judgment. [100] In Memoirs of Judas (1867) by Ferdinando Petruccelli della Gattina, he is seen as a leader of the Jewish revolt against the rule of Romans. [136] Edward Elgar's oratorio, The Apostles, depicts Judas as wanting to force Jesus to declare his divinity and establish the kingdom on earth. [137]

Toal, M.F., ed. (1958). Sunday Sermons of the Great Fathers. Vol.2: Henry Regnery Co. p.183. {{ cite book}}: CS1 maint: location ( link) Donald Senior, The Passion of Jesus in the Gospel of Matthew (Liturgical Press, 1985), pp. 107–08; Anthony Cane, The Place of Judas Iscariot in Christology (Ashgate Publishing, 2005), p. 50. Stanford, Peter (2015). Judas: The Most Hated Name in History. Berkeley, California: Counterpoint. ISBN 978-1-61902-750-3. [ permanent dead link] Feinberg, John S.; Basinger, David (2001). Predestination & free will: four views of divine sovereignty & human freedom. Grand Rapids, Michigan: Kregel Publications. p.91. ISBN 978-0-8254-3489-1. Easton's Bible Dictionary: Judas". christnotes.org. Archived from the original on 27 September 2007 . Retrieved 26 June 2007.Brown, Raymond E. (1994). The Death of the Messiah: From Gethsemane to the Grave: A Commentary on the Passion Narratives in the Four Gospels v.1 pp. 688–92. New York: Doubleday/The Anchor Bible Reference Library. ISBN 0-385-49448-3; Meier, John P. A Marginal Jew: Rethinking the Historical Jesus (2001). v. 3, p. 210. New York: Doubleday/The Anchor Bible Reference Library. ISBN 0-385-46993-4. In Trial of Christ in Seven Stages (1909) by John Brayshaw Kaye, the author did not accept the idea that Judas intended to betray Christ, and the poem is a defence of Judas, in which he adds his own vision to the biblical account of the story of the trial before the Sanhedrin and Caiaphas. [138] The Catechism of the Council of Trent, which mentions Judas Iscariot several times, wrote that he possessed "motive unworthy" when he entered the priesthood and was thus sentenced to "eternal perdition." [101] Furthermore, Judas is given as an example of a sinner that will "despair of mercy" because he looked "...on God as an avenger of crime and not, also, as a God of clemency and mercy." [102] All of the council's decrees were confirmed by Pope Pius IV on 28 January 1564. [103] Thus, an ecumenical council, confirmed by the Magisterium of a Pope, affirmed that Judas Iscariot was condemned to Hell. The Council of Trent continued the tradition of the early Church fathers, such as Pope Leo I ("...had [Judas] not thus denied His omnipotence, he would have obtained His mercy..." [104]) , and Pope Gregory I ("The godless betrayer, shutting his mind to all these things, turned upon himself, not with a mind to repent, but in a madness of self destruction: ... even in the act of dying sinned unto the increase of his own eternal punishment." [105])

One of the most famous depictions of Judas Iscariot and his kiss of betrayal of Jesus is The Taking of Christ by Italian Baroque artist Caravaggio, painted in 1602. [135]Reed, David A. (2005). " 'Saving Judas': A Social Scientific Approach to Judas' Suicide in Matthew 27:3–10" (PDF). Biblical Theology Bulletin. 35 (2): 51–59. doi: 10.1177/01461079050350020301. S2CID 144391749. Archived from the original (PDF) on 29 June 2007 . Retrieved 26 June 2007.

Ehrman, Bart D. (2008). The Lost Gospel of Judas Iscariot: A New Look at Betrayer and Betrayed. Oxfordshire, England: Oxford University Press. p. 147. ISBN 978-0-19-534351-9. The Last Days of Judas Iscariot ran during May and into June of 2023 at the University of California: Santa Barbara. The production was directed by Kendra Ware and the cast consisted of Abbs Stoiber (Jesus / Loretta), Abraham Figueroa (Caiaphas / Uncle Pino), Ahlora Smith (Cunningham), Desiree Medina (Saint Monica), Frances Manthorpe (Gloria / Soldier 2), Hind

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Pitre, Brant (2 February 2016). The Case for Jesus: The Biblical and Historical Evidence for Christ. Crown Publishing Group. ISBN 978-0-7704-3549-3. Gubar, Susan (2009). Judas: A Biography. New York City and London, England: W. W. Norton & Company. ISBN 978-0-393-06483-4. In his 1965 book The Passover Plot, British New Testament scholar Hugh J. Schonfield suggests that the crucifixion of Christ was a conscious re-enactment of Biblical prophecy and that Judas acted with the full knowledge and consent of Jesus in "betraying" him to the authorities. The book has been variously described as "factually groundless", [85] based on "little data" and "wild suppositions", [86] "disturbing", and "tawdry". [87] Damnation to Hell [ edit ] Maccoby, Hyam (2006). Antisemitism and Modernity. London, England: Routledge. p. 14. ISBN 978-0415553889.