There is an IMDB list that has a plethora of Emmanuelle derivatives: https://www.imdb.com/list/ls069765874/ The producer of another Arsan/Rollet-Andriane film Laure, Ovidio Assonitis, claimed that all books published under the pen name Emmanuelle Arsan were written by her husband Louis-Jacques Rollet-Andriane, rather than by Marayat. [1] Films [ edit ] Las orgías inconfesables de Emmanuelle ( The Inconfessable Orgies of Emmanuelle) (1982), directed by Jesus Franco. Unlike many films that tried to avoid an X-rating, the first Emmanuelle film embraced it, and became a success with a viewing audience estimated at 300 million. [2] It remains one of France's most successful films, and played in the Arc de Triomphe theatre for over eleven years. [3] In France and the US the film was uncut, but British censors balked at masturbation and explicit sex. Heavy cuts were made to the film including the complete removal of the opium den rape and the infamous 'cigarette' sequence in the club.

This proposed collection of essays will strive to rectify this scholarship gap. This CFP seeks abstracts that analyze the films that make up the Emmanuelle legacy (see filmography below), with the aim to illustrate the various ways these movies are important, how they impacted both pop and film culture, and to illuminate subtexts and commentaries they impart. There was definitely much mirth and frivolity when Emmanuelle misplaces her mind-reading/control powers and they end up in Howard's hands. With Tom Cruise aspirations, his new gift is a dream come true.. except with side effects. One of my favorite scenes is a dream sequence featuring Howard and Alexis Thorpe well cast as Tiffany, the (dream) girl next door. This is shot in the manner of Tom and Rebecca De Mornay's Risky Business love scene, and totally benefits from a lesser degree of sophistication. Mondo Realism, the Sensual Body, and Genre Hybridity in Joe D’Amato’s Emanuelle Films” by Mario DeGiglio-Bellemare A great number of films, particularly in the sexploitation genre and sometimes retroactively, included the name 'Emmanuelle' or its variants in their titles (at least in some of their releases) for exploitative reasons, although none of them had been legally or artistically related to the original series or its title character.Parody and/or homage ( Carry on Emmanuelle, SNL’s “Danielle” skit, Seinfeld’s “ Rochelle, Rochelle”) The sexual explicitness in Emmanuelle films varies from arty softcore to full hardcore, although no penetration or oral sex made it to public versions. Many question the place of hardcore scenes in Emmanuelle and ASP never attempted to mix the two genres after experimenting in the late 1980s. I saw this on cable the other day. (Singing): E-mman-u-elle...Queen of the galaxy. Oops. Wrong Emmanuelle. I wanted Krista Allen but instead I got, hmmmmmm, I'm not sure who I got. I don't know what her name was but the girl playing Emmanuelle may very well be the worst actress of all time. That's a bold statement. You really have to stink up the screen to win that distinction. This Emmanuelle delivers the stink. Genre studies (porn-chic, softcore, exploitation, grindhouse, travelog, cannibal film, women in prison, etc.) Orientalism, Star Power and Cinethetic Racism in Seventies Italian Exploitation Cinema” by Calum Waddell

The character of Emmanuelle is also featured in a video game of the same name, released by Coktel Vision in 1989. I thoroughly enjoyed this movie. Having said that I felt Holly Sampson was rather miscast as Emmanuelle. Traditionally this character is portrayed as a "love" goddess and somehow Holly Sampson fresh out of pron rang none of those bells for me. This was just a B movie however and so I happily forgave it it's acting/casting sins. Thailand in the European Cinematic Imagination: The Phenomenon and Legacy of Emmanuelle (Fr 1974)” by Alexander J. Klemm The Legacy of Emmanuelle: Oriental Desire and Interracial Encounters 562 in European Films Set in Thailand 1974-1980” by Alexander J. Klemm There is no publisher chosen for this project yet. Due to the subject matter and the speciality, niche interest of this proposed book, the goal is to amass a collection of abstracts first for the purposes of having a solid proposal and preliminary table of contents, and then procure a publisher. A proper timetable for first draft submissions will be drawn up after a publisher is obtained.

Emmanuelle, Black Emanuelle, and Emmanuelle Derivatives: Essays on the Emmanuelle Legacy

Emmanuelle 5 (1987), directed by Walerian Borowczyk, was released in two versions: one with softcore love scenes, and a French home video version that extended several scenes with hardcore sex directed by Borowczyk (apparently [ citation needed] Borowczyk said that he had not directed them). The scenes are the Love Express and dance studio segments, embellished with penetration, ejaculation and a woman urinating. This VHS version omits several minutes of footage seen in the public version (including dialogue and plot). Emmanuelle is the lead character in a series of French erotic films based on the main character in the novel Emmanuelle, created by Emmanuelle Arsan, which was written in 1959 and published in 1967. Other related texts, such as the Emmanuelle Arsan novels, the Emmanuelle erotic comics by Guido Crepax, and the like, are also of interest. Kristel stepped away from the role in the 1980s, yielding to younger actresses, but returned for the seventh feature film. In 1992 and 1993, Kristel reprised the role of an older Emmanuelle for a series of made-for-cable films with titles such as Emmanuelle's Love and Emmanuelle's Perfume, which featured Marcela Walerstein as a younger version of Kristel's character. Kristel did not take part in any love scenes for this series, which also co-starred George Lazenby, also in a non-sexual role. Kristel also appeared in films throughout her career that capitalized on or parodied her Emmanuelle image, such as the American sex comedy Private Lessons. Abstracts (no word limit), preliminary bibliographies, and CVs should be submitted to Nicholas Diak at [email protected].

Emmanuelle originated as a pen name for Marayat Rollet-Andriane, a French-Thai actress who wrote a book in 1957 called The Joys of a Woman, which detailed the sexual exploits of a bored housewife. The first Emmanuelle film debuted in 1974 and starred Sylvia Kristel, who became synonymous with the role. The film embraced its X-rating and became a success, with an estimated audience of 300 million. It remains one of France's most successful films. Several sequels followed, with Kristel reprising her role. Unofficial productions, spinoffs, and a video game also emerged, capitalizing on the Emmanuelle craze. The explicit content in the films varied from softcore to full hardcore, though no penetration or oral sex made it to public versions. Emmanuelle appeared as the pen name of Marayat Rollet-Andriane, a French-Thai actress (1932-2005). Her 1957 book The Joys of a Woman detailed the sexual exploits of Emmanuelle, the "bored housewife" of a French diplomat. Rollet-Andriane's book caused a sensation in France and was banned. At the 2008 Cannes Film Festival, Alain Siritzky said he was looking for a new Emmanuelle, with production on the first film scheduled to begin in September. [4] It was announced at the 2011 Cannes Film Festival that Allie Haze (performing under the alias Brittany Joy) had been chosen. [5] The direct-to-video series that starred Allie Haze was titled Emmanuelle Through Time. La Marge (1976) ( The Streetwalker, also released as Emmanuelle 77), directed by Walerian Borowczyk. Emmanuelle 4 (1984), starring Kristel and new Emmanuelle Mia Nygren, had hardcore scenes shot, but they were never used. These scenes, which did not involve the main actors, were included in television versions and turned up as extras on European DVD editions of Emmanuelle 4 and in a version called "Emmanuelle 4X" on a VHS in France in the 1980s.

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Emmanuelle 6 (1988) also had two hardcore scenes (one short without ejaculation, but with fellatio and penetration, between a man and a woman whom Emmanuelle watches in a horse box, and the second longer, with fellatio, penetration and ejaculation, starring the same couple entering the place where Emmanuelle is being held prisoner at the end of the movie), directed by erotic horror specialist Jean Rollin. However, they were not used in the theater version, but were included on a hardcore VHS version in France.