On the Heights of Despair

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On the Heights of Despair

On the Heights of Despair

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Tragic paradox of freedom: the mediocre men who alone make its exercise possible cannot guarantee its duration. The deepest and most organic death is death in solitude, when even light becomes a principle of death. In such moments you will be severed from life, from love, smiles, friends and even from death. And you will ask yourself if there is anything besides the nothingness of the world and your own nothingness. In 1949, his first French book, A Short History of Decay, was published by Gallimard and was awarded the Prix Rivarol in 1950 for the best book written by a non-French author. [27] Throughout his career, Cioran refused most literary prizes awarded to him. [28] Later life and death [ edit ] The tomb of Cioran and Simone Boué At 10, Cioran moved to Sibiu to attend school, and at 17, he was enrolled in the Faculty of Literature and Philosophy at the University of Bucharest, where he met Eugène Ionesco and Mircea Eliade, who became his friends. [1] Future Romanian philosopher Constantin Noica and future Romanian thinker Petre Țuțea became his closest academic colleagues; all three studied under Tudor Vianu and Nae Ionescu. Cioran, Eliade, and Țuțea became supporters of Ionescu's ideas, known as Trăirism. [ citation needed]

The fear of your own solitude, of its vast surface and its infinity... Remorse is the voice of solitude. And what does this whispering voice say? Everything in us that is not human anymore.But, above all, it is a probing – the sensitivity of our fragile, ruined teeth be damned – of the vast silence that arises when we stop begging and complaining long enough to actually listen for God’s reply. Haven't people learned yet that the time of superficial intellectual games is over, that agony is infinitely more important than syllogism, that a cry of despair is more revealing than the most subtle thought, and that tears always have deeper roots than smiles? Gass, William H. (22 August 1968). "The Evil Demiurge". The New York Review. ISSN 0028-7504 . Retrieved 28 September 2022. Freedom can be manifested only in the void of beliefs, in the absence of axioms, and only where the laws have no more authority than a hypothesis.

If we would regain our freedom, we must shake off the burden of sensation, no longer react to the world by our senses, break our bonds. For all sensation is a bond, pleasure as much as pain, joy as much as misery. The only free mind is the one that, pure of all intimacy with beings or objects, plies its own vacuity. On the Heights of Despair was written in a bout of depression and insomnia, conditions from which Cioran suffered throughout his life: "I've never been able to write otherwise than in the midst of the depression brought about by my nights of insomnia. For seven years I could barely sleep. I need this depression, and even today before I sit down to write I play a disk of Gypsy music from Hungary." [10] The book's title derives from a phrase that was commonly used in Romanian newspapers of the period to begin the obituaries of suicides, e.g. "On the heights of despair, young so-and-so took his life...". [11] [12] Detachment from the world as an attachment to the ego... Who can realize the detachment in which you are as far away from yourself as you are from the world?

It is an understatement to say that in this society injustices abound: in truth, it is itself the quintessence of injustice. Let us speak plainly: everything which keeps us from self-dissolution, every lie which protects us against our unbreathable certitudes is religious.

The more one is obsessed with God, the less one is innocent. Nobody bothered about him in paradise. The fall brought about this divine torture. It's not possible to be conscious of divinity without guilt. Thus God is rarely to be found in an innocent soul. The aphorism is cultivated only by those who have known fear in the midst of words, that fear of collapsing with all the words. The skepticism which fails to contribute to the ruin of our health is merely an intellectual exercise.The most interesting aspect of suffering is the sufferer's belief in its absoluteness. He believes he has a monopoly on suffering. I think that I alone suffer, that I alone have the right to suffer, although I also realize that there are modalities of suffering more terrible than mine, pieces of flesh falling from the bones, the body crumbling under one's very eyes, monstrous, criminal , shameful sufferings. One asks oneself, How can this be, and if it be, how can one still speak of finality and other such old wives' tales? Suffering moves me so much that I lose all my courage. I lose heart because I do not understand why there is suffering in the world.", in essay: the monopoly of suffering We suffer: the external world begins to exist . . .; we suffer to excess: it vanishes. Pain instigates the world only to unmask its unreality.



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